|
|
Tweed
Based on the preamp circuit of a ‘59 Fender® Bassman™. A classic Fender tone with huge bottom end and a nice amount of grit. Great for any Blues and Country tone.
|
|
|
Blackface
Based on the preamp circuit of a Fender® Blackface Twin™. Legendary Fender clean with biting midrange and sparkling highs. The standard for any style of clean tone.
|
|
|
Deluxe
Based on the preamp circuit of a Fender® Blackface Deluxe™. Tone that bleeds country music. Great mid-range and top end spank with more bite than the Blackface preamp.
|
|
|
SL+
Based on the preamp circuit of a hot rodded Marshall® Super Lead. The classic Super Lead circuit with more gain and punch. Covers any classic Zeppelin to modern Zakk tone.
|
|
|
JTM
Based on the preamp circuit of a classic Marshall® JTM45. Classic mid-gain tone with huge bottom end and smooth overdrive.
|
|
|
Treadplate
The tone that defines the modern Nu-Metal sound. Cutting tone with strong low end punch, biting mid-range & sizzling hi-end definition. Covers any modern rock tone.
|
|
|
Ultra
Extreme hi-gain with tight low end & liquid sustain. This one exemplifies the classic Randall hi-gain tone. Perfect for any classic to modern metal rhythm or lead tone.
|
|
|
Clean
An extremely warm & fat clean tone. Perfect for the jazz and blues guitarist or any player looking for a smooth, robust, clean sound. Stays clean even at high volumes.
|
|
|
Top Boost
A clean module with Vox like tone characteristics. Nice chime on the high's with warm low bottom end. Sounds very acoustic like due to reduced mid-range.
|
|
|
XTC
Based on the preamp circuit of a Bogner® Ecstasy red channel. A great all-around hi-gain tone with good low end and cutting mid-range. This screaming preamp covers any rock & metal tone with ease.
|
| |
|
|
|
Kirk Hammett Signature Modules |
|
|
KH1
Based on Kirk's classic clean tones, the voicing of this preamp is based on various clean amps that Kirk has used throughout his illustrious career. A great clean tone for any style.
|
|
|
KH2
Based on Kirk's signature rhythm tone, the KH2 instantly becomes a classic because of its extreme wide-range of tones. This mid to hi-gain preamp is perfect for any classic rock and metal tone and for that early Metallica rhythm tone.
|
|
|
KH3
Based on Kirk's legendary hi-gain lead tone, this preamp takes the KH2 to a higher level of gain and sustain. Utilizing the same tone circuit as the KH2, the KH3 is tailored more for the modern rock and metal guitarist who demands a high level of gain.
|
|
|
George Lynch Signature Modules |
|
|
Mr. Scary
The trademark Lynch heavy rhythm & lead tone of the famed Dokken era. A bit tighter with more gain & punch than the Brahma preamp.
|
|
|
Grail
Lynch’s modern lead & rhythm tone. A true Rectifier feel with tight low end and cutting mid-range. Great for all Lynch Mob and modern Lynch tones.
|
|
|
The Judge
The Judge Lynch tone with British voicing with hot rod mods. This is Lynch's variation of the vintage Plexi tone.
|
|
|
|
|
|
|