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Tweed
Based on the preamp circuit of a ‘59 Fender® Bassman™. A classic Fender tone with huge bottom end and a nice amount of grit. Great for any Blues and Country tone.
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Blackface
Based on the preamp circuit of a Fender® Blackface Twin™. Legendary Fender clean with biting midrange and sparkling highs. The standard for any style of clean tone.
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Deluxe
Based on the preamp circuit of a Fender® Blackface Deluxe™. Tone that bleeds country music. Great mid-range and top end spank with more bite than the Blackface preamp.
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SL+
Based on the preamp circuit of a hot rodded Marshall® Super Lead. The classic Super Lead circuit with more gain and punch. Covers any classic Zeppelin to modern Zakk tone.
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Plexi
Based on the preamp circuit of a classic Marshall® Plexi. Anything from Page to Angus to Gibbons. The amp that defines the 70’s rock and punk tone.
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JTM
Based on the preamp circuit of a classic Marshall® JTM45. Classic mid-gain tone with huge bottom end and smooth overdrive.
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Treadplate
The tone that defines the modern Nu-Metal sound. Cutting tone with strong low end punch, biting mid-range & sizzling hi-end definition. Covers any modern rock tone.
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Ultra
Extreme hi-gain with tight low end & liquid sustain. This one exemplifies the classic Randall hi-gain tone. Perfect for any classic to modern metal rhythm or lead tone.
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Clean
An extremely warm & fat clean tone. Perfect for the jazz and blues guitarist or any player looking for a smooth, robust, clean sound. Stays clean even at high volumes.
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Top Boost
A clean module with Vox like tone characteristics. Nice chime on the high's with warm low bottom end. Sounds very acoustic like due to reduced mid-range.
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XTC
Based on the preamp circuit of a Bogner® Ecstasy red channel. A great all-around hi-gain tone with good low end and cutting mid-range. This screaming preamp covers any rock & metal tone with ease.
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Ultra XL
A modern version of our trademark hi-gain tone with extreme gain, focused lows and highs, plus a boosted mid-range to really cut through the mix. Perfect for any modern metal rhythm & lead tone.
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Kirk Hammett Signature Modules |
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KH1
Based on Kirk’s classic clean tones, the voicing of this preamp is based on various clean amps that Kirk has used throughout his illustrious career. A great clean tone for any style, but tailored for rock and metal because it stays clean at higher volumes even with active pickups.
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KH2
Based on Kirk’s signature rhythm tone, the KH2 instantly becomes a classic because of its extreme wide-range of tones. This mid to hi-gain preamp is perfect for any classic rock and metal tone and for that early Metallica rhythm tone.
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KH3
Based on Kirk’s legendary hi-gain lead tone, this preamp takes the KH2 to a higher level of gain and sustain. Utilizing the same tone circuit as the KH2, the KH3 is tailored more for the modern rock and metal guitarist who demands a high level of gain.
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George Lynch Signature Modules |
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Super V
A clean module with Vox like characteristics. Nice chime on the highs with warm low bottom end producing a great electric acoustic like tone. Breaks up nice at higher volumes.
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Mr. Scary
The trademark Lynch heavy rhythm & lead tone of the famed Dokken era. A bit tighter with more gain & punch than the Brahma preamp.
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Brahma
The true holy grail of mid to classic hi-gain tone has the classic British roar with signature American tone mods. This is Lynch’s flavor of the classic Plexi tone.
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Grail
Lynch’s modern lead & rhythm tone. A true Rectifier feel with tight low end and cutting mid-range. Great for all Lynch Mob and modern Lynch tones.
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