|
|
Tweed
Based on the preamp circuit of a ‘59 Fender® Bassman™. A classic Fender tone with huge bottom end and a nice amount of grit. Great for any Blues and Country tone.
|
|
|
Blackface
Based on the preamp circuit of a Fender® Blackface Twin™. Legendary Fender clean with biting midrange and sparkling highs. The standard for any style of clean tone.
|
|
|
Deluxe
Based on the preamp circuit of a Fender® Blackface Deluxe™. Tone that bleeds country music. Great mid-range and top end spank with more bite than the Blackface preamp.
|
|
|
SL+
Based on the preamp circuit of a hot rodded Marshall® Super Lead. The classic Super Lead circuit with more gain and punch. Covers any classic Zeppelin to modern Zakk tone.
|
|
|
JTM
Based on the preamp circuit of a classic Marshall® JTM45. Classic mid-gain tone with huge bottom end and smooth overdrive.
|
|
|
Treadplate
The tone that defines the modern Nu-Metal sound. Cutting tone with strong low end punch, biting mid-range & sizzling hi-end definition. Covers any modern rock tone.
|
|
|
Ultra
Extreme hi-gain with tight low end & liquid sustain. This one exemplifies the classic Randall hi-gain tone. Perfect for any classic to modern metal rhythm or lead tone.
|
|
|
Clean
An extremely warm & fat clean tone. Perfect for the jazz and blues guitarist or any player looking for a smooth, robust, clean sound. Stays clean even at high volumes.
|
|
|
Top Boost
A clean module with Vox like tone characteristics. Nice chime on the high's with warm low bottom end. Sounds very acoustic like due to reduced mid-range.
|
|
|
XTC
Based on the preamp circuit of a Bogner® Ecstasy red channel. A great all-around hi-gain tone with good low end and cutting mid-range. This screaming preamp covers any rock & metal tone with ease.
|
| |
|
|
