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You choose the tone! With fourteen modules to choose from and more in the works, having a new amp is as simple as plugging in a new module. Start with as few as one, or as many as you like and have all your favorite tones right at your fingertips. All modules can be used for the RM4 preamp, RM combos and RM heads. All modules utilize the same panel layout, which includes Gain, Bass, Mid, Treble and Master controls.  

Sound Clip of the month.

Choose your set-up.
Hear the Randall difference.

MTS Panel.


Click here for guitar and technical info.

Watch & Learn
Randall's Doug Reynolds discusses the MTS Series' features.

MTS Front Features. MTS Back Features.

MTS Front Features: MPG/WMV
MTS Back Features: MPG/WMV

How to bias the tubes on your MTS Series Amp.

Discuss and learn more about MTS
on our Forum HERE

A bright switch is included directly under each Bass control. Each preamp module houses two 12AX7 tubes which can be easily changed or replaced. Use the thumbscrew to remove or secure each module to the front panel of every MTS amplifier.
MTS Module Descriptions
  * Ultra
(Extreme hi-gain, with tight low end and liquid sustain. This one exemplifies the Randall tone, and is perfect for any classic to modern metal tone.)
Ultra
* Treadplate
(Based on the preamp circuit of a Mesa/Boogie® Dual Rectifier. Cutting tone with strong mid-range. It has defined the modern day rock and Nu-Metal tone.)
Treadplate
* UltraXL
A modern version of our legendary hi-gain tone, the new Ultra XL has massive amounts of liquid gain combined with huge bottom end and cutting upper mid-range. A true legend in the making!
UltraXL
* JTM
(Based on the preamp circuit of a classic Marshall® JTM45. Classic mid-gain amp with good bottom end.)
JTM
* SL+
(Based on the preamp circuit of a hot rodded Marshall® Super Lead. We give the classic Super Lead circuit a bit more gain and punch. It will handle anything from Zeppelin to Zakk.)
SL+
* Plexi
(Based on the preamp circuit of a classic Marshall® Plexi. Anywhere from Page, to Angus, to Gibbons. The amp that defines 70's rock and punk tone. )
Plexi		 * Top Boost
(Based on the preamp circuit of a Vox® AC30TB with a little more kick in the front end. Chimy hi-end that will handle anything from classic Petty, to Brian May to modern Lenny Kravitz.)
Top Boost
* Tweed
(Based on the preamp circuit of a '59 Fender® Bassman™. Great for all blues tones with a huge bottom end and nice bite in the gain circuit.
Perfect for SRV.)
Tweed
* Blackface
(Based on the preamp circuit of a Fender® Blackface Twin™. Legendary clean tone with cutting mid-range and sparking highs. The standard for a wide-range of cleans.)
Blackface
* DLX
(Based on the preamp circuit of a Fender® Blackface Deluxe™. Tone that bleeds country music. Great mid-range and top end spank, with more bite than the Blackface.)
DLX
* Clean
(Very warm and round. A perfect clean tone for the jazz and blues guitarist, or any guitarist looking for a smooth, robust, clean sound.)
Clean
* XTC
(Based on the preamp circuit of a Bogner® Ecstasy red channel. An all around great hi-gain tone with tight low end and cutting mid-range. It will cover any rock to metal tone. This one screams!)
XTC

 

 Fender® is a registered trademark of Fender Musical Instruments Corp.
Marshall® and Vox® are registered trademarks of Korg USA Inc.
Mesa/Boogie® is a registered trademark of Mesa Engineering.
Bogner® is a registered trademark of Bogner Amplification.
Randall Amplifiers is in no way affiliated with Marshall®, Vox®, Fender®, or Bogner®
 

 

  
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